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No. 14107
ID: e80e1d
>>14072
Wow... I can't believe I'm seeing this. A GENUINELY GOOD STRIP!! I'm still in shock about the whole thing. Sure, some previous strips have been okay, but this is propably the first strip that can be called "good" in a truly positive way. I mean, it's not great or anything; in a good webcomic, this kind of thing would be par of the course. But when you consider the average quality of Original Life, it looks like a frickin' masterpiece. This is for several reasons:
1) ACTUAL GODDAMN BACKGROUNDS! I know you have pointed this out several times, but it still blows my mind that Naylor actually spent time to draw some decent looking scenery. Again, it doesn't look fantastic, but its such a breath of fresh air to see some actual details in the background rather than the empty void that we get almost everywhere else (though its a little jarring that the third panel suddenly goes back to the void again). The rest of the artwork isn't bad either, though I have a few complaints. The feet in the first panel are once again badly drawn, with Fisk's being conveniently hidden behind his tail, and Janie's looking like pencil erasers. In the last panel, it looks like they're sitting with their legs hanging over a cliffside. So, does the road they've been running on just go straight over the edge of a cliff? Who the hell stamped or paved the road like that? And while Janie has her legs properly dangling over the edge, if you look at Fisk, one of his legs seems to just disappear straight into the earth. He looks like he's suddenly been amputated. Also, at first I thought that they were sitting by the sea, but now I think it's supposed to be a forest, but the artwork doesn't manage to make it clear and it looks much too close to Fisk and Janie rather than being in the distance. But still, its nice that he at least put in some effort to this strip; since he evidently can draw backgrounds that make the strips look better, it seems confirmed that he just doesn't do so out of laziness.
2) A positive message. While I know, like Sage pointed out >>14075, thats it's just a veiled attempt to put more Objectivism into the comic, it doesn't seem overly preachy or degrading, and actually makes an effort to promote a positive personal view rather then to mock and insult the views of others. Now granted, I do find the whole "we need to seek happiness in this world rather than the fantasy world religions claim awaits us after death" schtick kinda annoying. I hear people complaining about that all the time and yet, as I think some other poster here said whom I'm unable to find at the moment, I hardly know any religion that claims you shouldn't try to be happy in this life. Trying to have a good relationship with God while being happy with your life isn't mutually exclusive. There's also one line that kinda bothers me:
>>And I work very hard so you can have the same thing.
Apart from not naturally flowing from what he said previously, it sounds a little like guilt-tripping someone into appreciating your own view by declaring that you have me to thank for what you are! Not to mention that his "hard work" consists of being a domestic terrorist who's away from his family most of the time, so it rings kinda hollow (where does Fisk make his actual money from the job anyway? Looting the bodies of the people he kills?). But overall, the strip has a good, positive and unoffensive message, and its nice to see that in a comic that mostly just builds up unpleasant strawmen for mocking.
3) A realistic, moving father-and-daughter moment. This is the first time in the comic that we've actually seen an interaction between Fisk and his kids that seems like an actual, more or less realistic parenting moment. Where Fisk doesn't seem like a Randian Man-God with the emotional prescence of a bronze statue, but like an actual parent sharing a tender moment with his child. He doesn't give a long speech about the evils of any opposing philosophies, but simply encourages Janie to seek happiness in her life and be what she wants to be; to let her make up her own mind about what she wants to believe in. I would go so far as to call this the comic's first Crowning Moment of Heartwarming, simply because its such a huge improvement over how similar scenes have been handled before it. Its so nice to see a strip that really feels like an actual character interaction between a father and his daughter, rather than just an opportunity for soapbaxing between two one-dimensional author stand-ins. We even get a funny joke at the end.
So there you have it: I'd say this is the best strip in Original Life so far: not brilliant but much better than the vast majority we've been subjected to so far. Unfortunately, the feeling is undermined by the fact that the strips preceding it have included some of the worst moments of OL so far, and that the religion arc has stretched on for far too long, even when most arcs have just been abandoned midway through. It just feels jarring to get such a good end to a storyline that has been so awful.
Also, I don't think that this is the beginning of a positive trend for Original Life. This is the only strip that's been genuinely good so far, and one standout strip isn't really an indication that better things are on their way. In fact, I'm actually hoping that it isn't; I'm fairly certain that there is no chance that this comic will actually become good. The only thing it can lead to is that it becomes mediocre rather than bad, and then it wouldn't be nearly as funny to mock.
Well, and with this, I guess the religion arc is finally over (yeah, I know I predicted that on Monday, but if it doesn't end here, where it looks like a perfect ending for a story arc, it will destroy all goodwill this strip has managed to build up). Its been a thorougly unpleasant experience except for a strangely good ending, and I hope it takes a long time before we're subjected to more poorly made commentary of religion. I'm looking forward to having something else to write about. See you on Monday!
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